" ... For Eniko all this has a purely demistificatorio, ante-litteram revealing artist, plays at the bottom with subitems that are made available. The punctum of its icons remains the fluctuation of being, the lightness ephemeral imprendibilità of concepts, and values. The scenes of the couple, as the same evaluation paradigm of love, are altered by the symbols wastewater as may do so a child who wants to pollute the scene, not out of spite, but because by its very nature is brought to decompose then recompose, testifying in speakerphone functionality of the game and its toy ... "

The article written by FemminArt Review

Published it in Gli E-book di Femmin Art Numero 09,,  FemminArt Review,

Translation by A.J.N